{"id":12980,"date":"2023-04-03T16:00:00","date_gmt":"2023-04-03T16:00:00","guid":{"rendered":"https:\/\/www.pasassezdetemps.com\/?p=12980"},"modified":"2023-04-03T16:20:13","modified_gmt":"2023-04-03T16:20:13","slug":"avec-une-indigestion-de-printemps-with-a-spring-indigestion","status":"publish","type":"post","link":"https:\/\/www.pasassezdetemps.com\/?p=12980","title":{"rendered":"Avec une indigestion de printemps \u2014 With a spring indigestion"},"content":{"rendered":"\n
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J\u2019ai post\u00e9 un bref texte de col\u00e8re, \u00ab mensonges \u00bb, et j\u2019ai envoy\u00e9 le petit message habituel, \u00ab la piq\u00fbre de rappel \u00bb, par Sendinblue. Je suis destinataire aussi, et je n\u2019ai re\u00e7u le message que deux jours plus tard. Et vous, mes fid\u00e8les lecteurs, l\u2019avez-vous re\u00e7u ?<\/strong>
I posted a brief angry text, \u00ab lies \u00bb, and sent the usual little message, \u00ab the booster shot \u00bb, by Sendinblue. I am the recipient too, and I did not receive the message until two days later. And you, my faithful readers, have you received it?<\/span><\/strong><\/p>\n\n\n

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Il n\u2019y a pas de quoi vous tenir en haleine avec le quotidien – et \u00e7a, je l\u2019ai d\u00e9j\u00e0 \u00e9voqu\u00e9. Inutile de d\u00e9nombrer les salades que Paul a repiqu\u00e9es sous la serre, ni la multitude de travaux qui le font se plier dans tous les sens : son squelette doit se rappeler que le printemps est l\u00e0 et s\u2019y habituer. Lolo fait plein de petits travaux qu\u2019on est contents de biffer de nos listes, moi je fais de la taille \u00e0 r\u00e9gime tranquille. Dans les groseilliers qui sont en train de feuillir*, les ronces s\u2019installent, et je coupe des segments tout petits pour ne pas \u00e9branler la plante. Je suis all\u00e9e gratter la terre des topinambours, j\u2019ai trouv\u00e9 des tubercules, c\u2019est parfait, les rats, eux, ne les ont pas trouv\u00e9s. Paul m\u2019a aid\u00e9e \u00e0 repiquer une gramin\u00e9e qui finit toujours par s\u2019\u00e9touffer dans son pot \u00e0 force de s\u2019y plaire, alors elle s\u2019\u00e9tiole : on a coup\u00e9 la motte en trois morceaux, j\u2019attends impatiemment qu\u2019elle reprenne belle allure.<\/strong>
*parler qu\u00e9b\u00e9cois<\/strong>
There is nothing to keep you in suspense with the daily life – and that, I have already mentioned. Needless to count the salads that Paul has transplanted in the greenhouse, nor the multitude of works that make him bend in all directions: his skeleton must remember that spring is here and get used to it. Lolo does a lot of small jobs that we are happy to cross off our lists, I prune at a leisurely pace. In the currant bushes that are leafing out*, brambles are taking hold, and I cut very small segments so as not to shake the plant. I went to scratch the earth for Jerusalem artichokes, I found tubers, it’s perfect, the rats didn’t find them. Paul helped me transplant a grass that always ends up suffocating in its pot from enjoying it, so it withers: we cut the root ball into three pieces, I’m impatiently waiting for it to grow again good appearence.<\/span><\/strong>
* speak Quebecois<\/span><\/strong><\/p>\n\n\n

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avec traces de castor \u2014 with beaver tracks<\/strong><\/figcaption><\/figure>\n\n\n

Mais comme ce n\u2019est que le d\u00e9but de la saison jardin, et puis Paul s\u2019est promis de ne pas faire trop grand cette ann\u00e9e, il reste du temps pour autre chose sans bouger d\u2019ici. Alors Paul se dit qu\u2019il pourrait commencer \u00e0 r\u00e9capituler nos voyages, \u00e0 en faire la liste. En commen\u00e7ant par le plus r\u00e9cent, c\u2019est plus facile. Je vais l\u2019aider, en utilisant quelques points de rep\u00e8re temporel. Plus il s\u2019agira de pass\u00e9 lointain, plus on aura du mal ! Peut-\u00eatre que certains voyages vont passer \u00e0 la trappe, ou d\u2019autres se souder entre eux par erreur. Mais l\u2019aventure est int\u00e9ressante.<\/strong>
But since it’s only the beginning of the garden season, and then Paul has promised himself not to make it too big this year, there’s still time for something else without moving from here. So Paul thought he could start recapping our travels, listing them. Starting with the most recent is easier. I’m going to help him, using some time markers. The more distant past it is, the harder it will be! Maybe some trips will fall by the wayside, or others will weld together by mistake. But the adventure is interesting.<\/span><\/strong><\/p>\n\n\n

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Pour ma part j\u2019ai eu une id\u00e9e radicalement diff\u00e9rente.<\/strong>
J\u2019ai l\u2019intention d\u2019\u00e9crire quelque chose concernant le travail, la meilleure et la pire des choses. Un sujet tr\u00e8s chaud vu l\u2019actualit\u00e9 du moment – mais chaud en permanence, toujours d\u2019actualit\u00e9. Le travail qu\u2019on subit ou qu\u2019on aime, qu\u2019on fuit ou apr\u00e8s lequel on court. Celui qui procure une saine fatigue ou celui qui d\u00e9truit. Innombrables facettes de quelque chose qui prend une part si consid\u00e9rable dans nos existences !<\/strong>
Je ne sais pas si ma r\u00e9flexion pourra aboutir \u00e0 quelque chose de digeste, d\u2019int\u00e9ressant !<\/strong>
For my part, I had a radically different idea.<\/span><\/strong>
I intend to write something about work, the best and the worst things. A very hot subject given the current events – but always hot, always relevant. The work that we undergo or that we love, that we flee or after which we run. The one that provides healthy fatigue or the one that destroys. Countless facets of something that takes such a huge part in our lives!<\/span><\/strong>
I don’t know if my reflection will lead to something digestible, interesting!<\/span><\/strong><\/p>\n\n\n

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Entre mes probl\u00e8mes de sant\u00e9 et une m\u00e9t\u00e9o peu favorable, j\u2019ai eu souvent l\u2019occasion de lire. J\u2019ai d\u00e9vor\u00e9 assez vite les 1380 pages de \u00ab la diaspora des Desrosiers \u00bb de Michel Tremblay : il s\u2019agit d\u2019un regroupement de neuf romans et j\u2019aurais peut-\u00eatre mieux fait d\u2019intercaler d\u2019autres auteurs entre deux romans de la diaspora ; je ne sais pas. Comme son nom l\u2019indique, Tremblay \u00e9tant un nom tr\u00e8s courant au Qu\u00e9bec, Michel Tremblay habite la belle province. Ses livres sont \u00e9crits en pur qu\u00e9b\u00e9cois, une langue proche de la mienne, mais pas identique, surtout les dialogues, fr\u00e9quemment des morceaux d\u2019anthologie : comme c\u2019est savoureux ! Il est parfois bien n\u00e9cessaire de conna\u00eetre certaines expressions, le lecteur de France peut se trouver d\u00e9stabilis\u00e9.<\/strong>
Between my health problems and unfavorable weather, I often had the opportunity to read. I quickly devoured the 1380 pages of \u00ab la diaspora des Desrosiers \u00bb by Michel Tremblay: it is a collection of nine novels and I might have done better to insert other authors between two novels from the Diaspora; I don’t know. As his name suggests, Tremblay being a very common name in Quebec, Michel Tremblay lives in the beautiful province. His books are written in pure Qu\u00e9b\u00e9cois, a language close to mine, but not identical, especially the dialogues, frequently anthology pieces: how tasty! It is sometimes very necessary to know certain expressions, the reader of France can be destabilized.<\/span><\/strong><\/p>\n\n\n

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Je ne r\u00e9siste pas au plaisir de raconter une petite anecdote tir\u00e9e de ce pav\u00e9 : pour \u00e9viter de dire \u00ab WC \u00bb, \u00ab toilettes \u00bb ou \u00ab lieux d\u2019aisance \u00bb, certains anglophones d\u00e9signent ce lieu sous le terme de \u00ab back house \u00bb, \u00ab la maison de derri\u00e8re \u00bb : les francophiles ont repris le terme, l\u2019ont transform\u00e9 ironiquement en \u00ab b\u00e9cosse \u00bb. Mais je crois que l\u2019usage de ce mot est local, ainsi les Qu\u00e9b\u00e9cois peuvent-ils d\u00e9sar\u00e7onner leurs proches en l\u2019utilisant.<\/strong>
I can’t resist the pleasure of telling a little anecdote from this cobblestone: to avoid saying \u00ab WC \u00bb, \u00ab toilets \u00bb or \u00ab lavatories \u00bb, some English speakers refer to this place as \u00ab back house \u00bb, \u00ab the house behind \u00bb: the Francophiles have taken up the term, ironically transformed it into \u00ab b\u00e9cosse \u00bb. But I believe that the use of this word is local, so Quebecers can throw off their loved ones by using it.<\/span><\/strong><\/p>\n\n\n

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\u00ab Le cycle des Belles-S\u0153urs, les Chroniques du Plateau-Mont-Royal et La Diaspora des Desrosiers appartiennent au corpus des \u0153uvres majeures de la litt\u00e9rature francophone actuelle \u00bb<\/em> nous dit Actes Sud, \u00e9diteur de Michel Tremblay pour la France.<\/strong>
\u00ab Le cycle des Belles-S\u0153urs, les Chroniques du Plateau-Mont-Royal et La Diaspora des Desrosiers \u00bb belong to the corpus of the major works of current French-speaking literature, \u00bb<\/em> Actes Sud, publisher of Michel Tremblay for France, says.<\/span><\/strong><\/p>\n\n\n

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Je recommande \u00e0 tous la lecture de ses \u0153uvres. Mais je dois pr\u00e9ciser que m\u00eame s\u2019il y a des fous rires, aussi bien chez les h\u00e9ros que chez les lecteurs, les sentiments qui dominent sont tr\u00e8s mitig\u00e9s, quand ce n\u2019est pas une profonde tristesse. Tout ce que je connais de la litt\u00e9rature qu\u00e9b\u00e9coise est impr\u00e9gn\u00e9 de m\u00e9lancolie.<\/strong>
I recommend everyone to read his works. But I must specify that even if there are giggles, both among the heroes and among the readers, the feelings that dominate are very mixed, when it is not a deep sadness. Everything I know of Quebec literature is steeped in melancholy.<\/span><\/strong><\/p>\n\n\n

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Pas de m\u00e9lancolie pourtant quand nous sommes all\u00e9s \u00e9couter un concert des \u00ab Tireux d\u2019Roches \u00bb, un groupe qu\u00e9b\u00e9cois avec un nom pareil ! Ils s\u2019inspirent des r\u00e9pertoires traditionnels qu\u00e9b\u00e9cois et fran\u00e7ais, jouent d\u2019un grand nombre d\u2019instruments et d\u00e9gagent une belle \u00e9nergie !<\/strong>
No melancholy though when we went to listen to a concert of \u00ab Tireux d’Roches \u00bb, a Quebec group with a similar name! They are inspired by traditional Quebec and French repertoires, play a large number of instruments and exude a beautiful energy!<\/span><\/strong><\/p>\n\n\n

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Le concert avait lieu dans une immense belle cave vo\u00fbt\u00e9e o\u00f9 il ne faisait pas chaud. Le lieu n\u2019\u00e9tait pas tr\u00e8s favorable pour l\u2019acoustique, et j\u2019ai eu bien du mal \u00e0 comprendre ce qui se disait ou se chantait en pur qu\u00e9b\u00e9cois. Plaisir de retrouver et la langue et son accent particulier. Mais toujours cette part de nostalgie qui nous serre le c\u0153ur \u00e0 un d\u00e9tour.<\/strong>
The concert took place in a huge beautiful vaulted cellar where it was not hot. The place was not very favorable for the acoustics, and I had a hard time understanding what was being said or sung in pure Quebec. Pleasure to find and the language and its particular accent. But always this part of nostalgia that squeezes our hearts at a detour.<\/span><\/strong><\/p>\n\n\n

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Un autre \u00e9v\u00e9nement tr\u00e8s diff\u00e9rent s\u2019est produit pr\u00e8s de chez nous : venues de la-Tour-du-Pin, un groupe de femmes a organis\u00e9 une marche de protestation contre les violences faites aux femmes, pour informer et sensibiliser. Elles sont les membres du groupe \u00ab plus fortes ensemble \u00bb, mais chacun pouvait les accompagner au cours de leur p\u00e9riple de quatre jours.<\/strong>
Quand une femme est victime de violence, le plus souvent elle se croit en faute et elle a honte. Le collectif souhaite que la honte change de camp\u00a0!<\/strong>
Another very different event happened near us: coming from la-Tour-du-Pin, a group of women organized a protest march against violence against women, to inform and raise awareness. They are the members of the \u00ab\u00a0stronger together\u00a0\u00bb group, but each could accompany them on their four-day journey.<\/span><\/strong>
When a woman is the victim of violence, most often she feels at fault and she is ashamed. The collective wants shame to change sides!<\/span><\/strong><\/p>\n\n\n

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Elles ont \u00e9t\u00e9 accueillies \u00e0 l\u2019ancienne \u00e9cole de St-Sorlin-de-Morestel, o\u00f9 un go\u00fbter et des boissons les attendaient. La maire de St-Sorlin a fait un discours pour rappeler la r\u00e9alit\u00e9 de ce grave probl\u00e8me, puis la chorale de Faverges (enfin, seulement les choristes qui ont pu se lib\u00e9rer !) a chant\u00e9 plusieurs chansons. Concernant les femmes bien s\u00fbr. Avec au final le c\u00e9l\u00e8bre \u00ab hymne des femmes \u00bb.<\/strong>
They were welcomed at the old school of St-Sorlin-de-Morestel, where a snack and drinks awaited them. The mayor of St-Sorlin made a speech to remind us of the reality of this serious problem, then the choir of Faverges (well, only the choir members who were able to free themselves!) sang several songs. Regarding women of course. With in the end the famous \u00ab women’s anthem \u00bb.<\/span><\/strong><\/p>\n\n\n

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Il para\u00eet que l\u2019hymne des femmes a \u00e9t\u00e9 cr\u00e9\u00e9 en 1971 par le MLF : il \u00e9tait temps que je le d\u00e9couvre. La m\u00e9lodie, je la connaissais, il s\u2019agit du \u00ab chant des marais \u00bb, en anglais \u00ab peat bog soldiers \u00bb, et cette belle chanson a \u00e9t\u00e9 pour moi l\u2019occasion d\u2019une d\u00e9couverte \u00e9tonnante.<\/strong>
D\u2019apr\u00e8s Wikip\u00e9dia, \u00ab le Chant des marais a \u00e9t\u00e9 \u00e9crit en juillet 1933 par des prisonniers allemands antinazis au camp de B\u00f6rgermoor, un des premiers camps de concentration con\u00e7us pour y enfermer les opposants au nouveau r\u00e9gime. Le travail, \u00e9reintant, consistait \u00e0 ass\u00e9cher les marais voisins. \u00bb<\/em><\/strong>
Les d\u00e9tenus \u00e9taient des opposants politiques ou religieux allemands sous la surveillance de recrues SS.<\/strong>
It seems that the women’s anthem was created in 1971 by the MLF (women’s liberation movement): it was time for me to discover it. The melody, I knew it, it is the \u00ab chant des marais \u00bb, in English \u00ab peat bog soldiers \u00bb, and this beautiful song was for me the occasion of an astonishing discovery.<\/span><\/strong>
According to Wikipedia, \u00ab \u201cle chant des marais\u201d was written in July 1933 by German anti-Nazi prisoners at B\u00f6rgermoor camp, one of the first concentration camps designed to hold opponents of the new regime. The grueling work involved draining the nearby marshes. \u00bb<\/em><\/span><\/strong>
The detainees were German political or religious opponents under the supervision of SS recruits.<\/span><\/strong><\/p>\n\n\n

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Stronger together<\/strong><\/figcaption><\/figure>\n\n\n\n
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Listen Support Raise awareness<\/strong><\/figcaption><\/figure>\n\n\n\n
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Wolfgang Langhoff, un homme de th\u00e9\u00e2tre, fait appel \u00e0 Johann Esser pour \u00e9crire ce qui deviendra le B\u00f6rgermoorlied, le chant des marais. Musique de Rudi Goguel. Tous les trois sont des prisonniers. Il s\u2019agit d\u2019activit\u00e9s culturelles, les nazis sont inform\u00e9s et autorisent le spectacle auquel certains assisteront. L\u2019exercice est d\u00e9licat, il s\u2019agit de montrer aux nazis que les prisonniers ne sont pas des sous-hommes, sans faire de provocation, sans les laisser utiliser le spectacle pour leur propagande.<\/strong>
Wolfgang Langhoff, a man of the theater, calls on Johann Esser to write what will become the B\u00f6rgermoorlied, le chant des marais. Music by Rudi Goguel. All three are prisoners. These are cultural activities, the Nazis are informed and allow the spectacle that some will attend. The exercise is delicate, it is a question of showing the Nazis that the prisoners are not sub-human, without provoking, without letting them use the spectacle for their propaganda.<\/span><\/strong><\/p>\n

Lien<\/strong>
Link<\/strong>
https:\/\/fr.wikipedia.org\/wiki\/Le_Chant_des_d\u00e9port\u00e9s<\/strong><\/p>\n\n\n

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\u00ab Le \u201cCirque Konzentrazani\u201d critiquait les conditions du camp, principalement par l\u2019ironie, et se moquait indirectement du c\u00f4t\u00e9 primaire des gardiens. Malgr\u00e9 tout, les SS furent favorablement impressionn\u00e9s par le spectacle, qui les surprit par son originalit\u00e9 et sa jovialit\u00e9. <\/strong><\/em>
(\u2026)<\/strong><\/em>
Le contenu des num\u00e9ros lui aussi devait \u00eatre adapt\u00e9 au niveau limit\u00e9 des SS. D\u2019une mani\u00e8re l\u00e9g\u00e8re et dr\u00f4le, il remettait en question l\u2019id\u00e9ologie nazie. \u00bb<\/strong><\/em>
\u00ab The \u201cCirque Konzentrazani\u201d criticized the conditions of the camp, mainly through irony, and indirectly mocked the primary side of the guards. Despite everything, the SS were favorably impressed by the spectacle, which surprised them with its originality and joviality.<\/span><\/strong><\/em>
(\u2026)<\/span><\/strong><\/em>
The content of the issues also had to be adapted to the limited level of the SS. In a light and funny way, it questioned Nazi ideology. \u00bb<\/span><\/strong><\/em><\/p>\n\n\n

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C’est moi, dans le miroir rond \u00e0 droite !
It’s me, in the round mirror on the right!<\/strong><\/figcaption><\/figure>\n\n\n

\u00c0 la fin de la repr\u00e9sentation, le B\u00f6rgermoorlied est chant\u00e9, et m\u00eame certains SS, isol\u00e9s dans ces marais autant que les prisonniers, se sentent concern\u00e9s par la chanson.
Elle a eu un succ\u00e8s foudroyant, les d\u00e9tenus d\u00e9plac\u00e9s dans un autre camp la faisaient conna\u00eetre, ensuite elle a \u00e9t\u00e9 traduite dans de nombreuses langues, elle reste une chanson de lutte. Il en existerait pr\u00e8s de deux cents versions, avec des traductions plus r\u00e9centes en hongrois, finlandais, arabe, breton\u2026<\/strong>
At the end of the performance, the B\u00f6rgermoorlied is sung, and even some SS men, isolated in these marshes as much as the prisoners, feel concerned by the song.
It was a resounding success, the detainees who moved to another camp made it known, then it was translated into many languages, it remains a song of struggle. There would be nearly two hundred versions, with more recent translations into Hungarian, Finnish, Arabic, Breton…<\/span><\/strong><\/p>\n\n\n

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Ce n\u2019est pas un hasard si cette chanson est c\u00e9l\u00e8bre sous des formes diverses, et c\u2019est une bonne chose si les luttes des femmes sont \u00e0 l\u2019origine d\u2019une de ses versions.<\/strong>
Pour en savoir plus, Wikip\u00e9dia nous renvoie sur le site \u00ab holocaustmusic \u00bb au nom explicite.<\/strong>
Je vous invite \u00e0 utiliser les liens ci-dessous pour conna\u00eetre en d\u00e9tail la gen\u00e8se de cette chanson, et savoir comment les d\u00e9tenus du camp de B\u00f6rgermoor se sont battus pour conserver leur dignit\u00e9 et tenter de pousser les nazis \u00e0 une prise de conscience.<\/strong>
It’s no coincidence that this song is famous in various forms, and it’s a good thing that women’s struggles are behind one of its versions.<\/span><\/strong>
For more information, Wikipedia directs us to the self-explanatory \u00ab holocaustmusic \u00bb site.<\/span><\/strong>
I invite you to use the links below to know in detail the genesis of this song, and to know how the prisoners of the B\u00f6rgermoor camp fought to maintain their dignity and try to push the Nazis to an awakening.<\/span><\/strong><\/p>\n

http:\/\/holocaustmusic.ort.org\/fr\/places\/camps\/music-early-camps\/moorsoldatenlied\/<\/span><\/strong><\/p>\n

http:\/\/holocaustmusic.ort.org\/fr\/places\/camps\/music-early-camps\/borgemoor\/zirkus-konzentrazani\/<\/span><\/strong><\/p>\n\n\n

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Les six derni\u00e8res photos
ont \u00e9t\u00e9 prises \u00e0
la foire aux plantes de
la-Motte-Servolex<\/strong>
The last six photos
were taken at
the la-Motte-Servolex
plant fair<\/span><\/strong><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

J\u2019ai post\u00e9 un bref texte de col\u00e8re, \u00ab mensonges \u00bb, et j\u2019ai envoy\u00e9 le petit message habituel, \u00ab la piq\u00fbre de rappel \u00bb, par Sendinblue. Je suis destinataire aussi, et je n\u2019ai re\u00e7u le message que deux jours plus tard. Et vous, mes fid\u00e8les … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12980","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12980"}],"collection":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12980"}],"version-history":[{"count":5,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12980\/revisions"}],"predecessor-version":[{"id":13024,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12980\/revisions\/13024"}],"wp:attachment":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}