{"id":12464,"date":"2022-11-21T15:03:28","date_gmt":"2022-11-21T15:03:28","guid":{"rendered":"https:\/\/www.pasassezdetemps.com\/?p=12464"},"modified":"2022-11-21T17:35:20","modified_gmt":"2022-11-21T17:35:20","slug":"martine-riton-et-alex","status":"publish","type":"post","link":"https:\/\/www.pasassezdetemps.com\/?p=12464","title":{"rendered":"Martine, Riton et Alex"},"content":{"rendered":"\n
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Photo Michel \u2014 thank you !<\/strong><\/figcaption><\/figure>\n\n\n

Bien s\u00fbr, vous pouvez aller sur le site de Martine<\/a> ou encore vous procurer ses CD, je vous y encourage vivement. Vous aurez la belle voix chaude, les accompagnements, de la belle musique, de la belle chanson. Mais vous n\u2019aurez pas cette ambiance extraordinaire tiss\u00e9e de chaleur humaine et de bonnes vibrations comme nous l\u2019avons connue samedi soir.<\/strong>
Of course, you can go to Martine’s website<\/a> or get her CDs, I strongly encourage you to do so. You will have the beautiful warm voice, the accompaniments, beautiful music, beautiful song. But you will not have this extraordinary atmosphere woven with human warmth and good vibrations as we experienced on Saturday evening.<\/span><\/strong><\/p>\n\n\n

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\u00c0 l\u2019heure dite, ils sont l\u00e0, Martine, Riton et Alex.
At the appointed time, they are there, Martine, Riton and Alex.<\/strong><\/figcaption><\/figure>\n\n\n\n
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D\u2019abord on mange et on rigole bien, puis ils commencent \u00e0 s\u2019installer.
First we eat and have a good laugh, then they start to settle down.<\/strong><\/figcaption><\/figure>\n\n\n\n
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Martine chante les plaisirs et les peines de l\u2019existence. Elle d\u00e9fend les femmes, mais pas seulement. Elle d\u00e9nonce. Et elle te bouleverse de sa voix chaleureuse. Certains en avaient les larmes aux yeux.<\/strong>
Elle arrive \u00e0 la fois \u00e0 montrer de tr\u00e8s belles images en passant par la beaut\u00e9 des mots, et en m\u00eame temps \u00e7a raconte une histoire. La sienne, le plus souvent. <\/strong>
Martine sings the pleasures and pains of existence. She defends women, but not only. She denounces. And she overwhelms you with her warm voice. Some had tears in their eyes.<\/span><\/strong>
She manages both to show very beautiful images through the beauty of words, and at the same time it tells a story. Her, most often.<\/span><\/strong><\/p>\n\n\n

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Pour nous, le boulot, c\u2019est d\u2019installer les si\u00e8ges.
For us, the job is to install the seats.<\/strong><\/figcaption><\/figure>\n\n\n

Pr\u00e8s du Pont des Amours \u00e0 Annecy, Martine a d\u00e9couvert une \u00e9cole et un \u00e9criteau en m\u00e9moire de quatre enfants juifs d\u00e9port\u00e9s pendant la guerre : voil\u00e0 d\u2019o\u00f9 lui est venu \u00ab un jour de rien \u00bb.<\/strong>
Near the Pont des Amours in Annecy, Martine discovered a school and a sign in memory of four Jewish children deported during the war: this is where \u00ab un jour de rien \u00bb came from.<\/span><\/strong><\/p>\n\n\n

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Disons-le : ces spectacles \u00e0 domicile, \u00e7a vous met un sacr\u00e9 bazar.
Let’s face it: these home shows are a hell of a mess.<\/strong><\/figcaption><\/figure>\n\n\n

Le foulard rouge autour de son cou, c\u2019est un cadeau d\u2019Anne Sylvestre : elles se sont beaucoup c\u00f4toy\u00e9es, maintenant Martine fait partie d\u2019un groupe de dix artistes qui lui rendent hommage. Le 11 d\u00e9cembre \u00e0 Volx (04) et le 18 \u00e0 la Roque-d\u2019Anth\u00e9ron (13). <\/strong>
The red scarf around her neck is a gift from Anne Sylvestre: they rubbed shoulders a lot, now Martine is part of a group of ten artists who pay homage to her. December 11 in Volx (04) and December 18 in La Roque-d\u2019Anth\u00e9ron (13).<\/span><\/strong><\/p>\n\n\n

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Pour eux, il reste toujours des d\u00e9tails \u00e0 revoir.
For them, there are always details to review.<\/strong><\/figcaption><\/figure>\n\n\n\n
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\u00c0 deux ou \u00e0 trois.
Two or three.<\/strong><\/figcaption><\/figure>\n\n\n

Anne est pr\u00e9sente en filigrane tout au long de la soir\u00e9e, d\u2019ailleurs Martine nous chante \u00ab j\u2019aime les gens qui doutent \u00bb.<\/strong>
D\u2019autres artistes sont invit\u00e9s sans qu\u2019on les voit : Christopher Murray (tellement premier \u00e0 donner un concert chez nous que \u00e7a ne s\u2019appelait pas encore Kalyneries Paulifauniques !), c\u2019est lui qui a compos\u00e9 la musique de \u00ab la vague \u00bb. Fred Bobin compose souvent des musiques pour Martine et il l\u2019accompagne \u00e0 l\u2019occasion de certains concerts. Martine rend hommage \u00e0 Allain Leprest en interpr\u00e9tant \u00ab le temps de finir la bouteille \u00bb. En plus du foulard rouge symbolique, Martine interpr\u00e8te \u00ab Je chante excuse-moi \u00bb \u00e9crit par Anne Sylvestre pour Francesca Solleville*.<\/strong>
*Martine pr\u00e9sente Francesca comme \u00ab la chanteuse de la f\u00eate de l\u2019Huma \u00bb. Chapeau bas devant Francesca, \u00e0 90 ans elle chante encore, le poing lev\u00e9.<\/strong>
Anne is implicitly present throughout the evening, moreover Martine sings to us \u00ab j\u2019aime les gens qui doutent \u00bb.<\/span><\/strong>
Other artists are invited without being seen: Christopher Murray (so first to give a concert with us that it was not yet called Kalyneries Paulifauniques!), he composed the music for \u00ab la vague \u00bb. Fred Bobin often composes music for Martine and accompanies her at certain concerts. Martine pays homage to Allain Leprest by interpreting \u00ab le temps de finir la bouteille \u00bb. In addition to the symbolic red scarf, Martine performs \u00ab Je chante excuse-moi \u00bb written by Anne Sylvestre for Francesca Solleville*.<\/span><\/strong>
*Martine introduces Francesca as \u00ab the singer of the Huma Day \u00bb. Hats off to Francesca, at 90 she still sings with her fist raised.<\/span><\/strong><\/p>\n\n\n

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Petit moment r\u00e9cr\u00e9atif
Little recreational time<\/strong><\/figcaption><\/figure>\n\n\n

Bien s\u00fbr, Martine n\u2019est pas seule sur sc\u00e8ne, avec Alex et Riton elle a constitu\u00e9 un trio remarquable.<\/strong>
Les trois \u00e9l\u00e9ments de ce groupe fonctionnent comme une seule entit\u00e9, l\u2019entente est parfaite. Il n\u2019y a pas de d\u00e9crochage, pas de fausse note. Pourtant, Alexandre ne travaille avec eux que depuis un an. Un an, c\u2019est d\u00e9j\u00e0 beaucoup me direz-vous, mais on me glisse dans l\u2019oreillette qu\u2019il a d\u2019autres activit\u00e9s professionnelles bien d\u00e9voreuses de temps.<\/strong>
Of course, Martine is not alone on stage, with Alex and Riton she has formed a remarkable trio.<\/span><\/strong>
The three elements of this group function as a single entity, the agreement is perfect. There is no dropout, no false note. However, Alexandre has only been working with them for a year. A year is already a lot, you will tell me, but it slips into my ear that he has other very time-consuming professional activities.<\/span><\/strong><\/p>\n\n\n

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L\u00e0, c\u2019est quand le public arrive, avant de commencer : au milieu des livres et des g\u00e2teaux, Alex, Martine et Riton attendent tranquillement ET SANS RIEN TOUCHER (quelle abn\u00e9gation !) que ce soit l\u2019heure.<\/strong>
There, it’s when the public arrives, before starting: in the middle of books and cakes, Alex, Martine and Riton wait quietly AND WITHOUT TOUCHING ANYTHING (what abnegation!) for it to be time.<\/span><\/strong><\/p>\n\n\n

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\u00ab Je te quitte \u00bb dit Martine \u00e0 Alex en introduction d\u2019un nouveau titre, et je m\u2019amuse \u00e0 filmer les grimaces d\u00e9sappoint\u00e9es du pianiste. \u00c0 qui l\u2019arriv\u00e9e de Riton redonne le sourire.<\/strong>
\u00ab I\u2019m leaving you \u00bb says Martine to Alex in the introduction of a new title, and I have fun filming the disappointed grimaces of the pianist. To whom the arrival of Riton gives a smile.<\/span><\/strong><\/p>\n\n\n

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Il \u00e9mane de chacun des trois une \u00e9nergie consid\u00e9rable. Les mains des musiciens volent sur leurs instruments, et Martine n\u2019est pas loin de s\u2019envoler, un peu elfe, un peu lutin, un peu feu follet. Puis les voil\u00e0 debout tous les trois, avec leur corps comme seul instrument, pan pan clic clac dam dam<\/em>, avec une chanson quasi impossible \u00e0 interpr\u00e9ter parce que chacun en a un petit bout et qu\u2019il faut le placer au bon moment. Malgr\u00e9 la difficult\u00e9, la synchronisation est r\u00e9ussie.<\/strong>
It emanates from each of the three a considerable energy. The hands of the musicians fly over their instruments, and Martine is not far from flying away, a little elf, a little goblin, a little will-o’-the-wisp. Then there are the three of them standing, with their bodies as their only instrument, pan pan click clac dam dam,<\/em> with a song that is almost impossible to interpret because everyone has a little piece of it and it has to be placed at the right time. Despite the difficulty, the synchronization is successful.<\/span><\/strong><\/p>\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a>
Merci Michel<\/strong><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Thank you Michel<\/strong><\/figcaption><\/figure>\n\n\n

Martine nous invite \u00e0 conna\u00eetre la grande famille des artistes chanteurs. Ils sont nombreux et ont un r\u00f4le important \u00e0 jouer. Une chanson voyage des id\u00e9es. Les recevoir dans la salle \u00e0 manger (ou dans la grange ou n\u2019importe o\u00f9 avec assez d\u2019espace pour le public et les artistes), c\u2019est un devoir. Les m\u00e9dias qui devraient diffuser leurs \u0153uvres ne s\u2019y int\u00e9ressent pas, on voit l\u00e0 les ravages de l\u2019industrie du disque. Les artistes, comme les forains ou les saltimbanques, ne b\u00e9n\u00e9ficient pas d\u2019assez de consid\u00e9ration.<\/strong>
Connectez-vous sur le site tr\u00e8s complet de \u00ab quichantecesoir \u00bb<\/a>, vous y trouverez toutes les infos pour aller les \u00e9couter ici ou l\u00e0.<\/strong>
Martine invites us to get to know the great family of singer artists. They are numerous and have an important role to play. A song travels ideas. To receive them in the dining room (or in the barn or anywhere with enough space for the public and the artists) is a must. The media that should be broadcasting their works are not interested in them, we see the ravages of the record industry. Artists, like showmen or acrobats, do not receive enough consideration.<\/span><\/strong>
Connect to the very complete site of \u00ab quichantecesoir \u00bb,<\/a> you will find all the information there to listen to them here or there.<\/span><\/strong><\/p>\n\n\n

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Le dimanche, on ressent une grande fatigue, bien normale ! Martine, Riton et Alex repartent vers de nouvelles aventures, laissant un sillage de rires et de bonne humeur. Nous avons peu d\u2019\u00e9nergie, mais d\u00e9j\u00e0, nous pensons en souriant que \u00e7a recommence dans trois semaines !<\/strong>
On Sunday, we feel very tired, quite normal! Martine, Riton and Alex leave for new adventures, leaving a trail of laughter and good humor. We have little energy, but already, we think with a smile that it will start again in three weeks!<\/span><\/strong><\/p>\n\n\n

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MESSAGE PERSONNEL<\/strong>
Martine, pense \u00e0 pr\u00e9senter ton livre d\u2019or \u00e0 la fin de vos spectacles\u00a0: nos nouveaux visiteurs ont cru que c\u2019\u00e9tait le livre d\u2019or de Paul et moi, c\u2019est pour \u00e7a qu\u2019ils nous ont remerci\u00e9s nous, ils n\u2019ont pas compris\u00a0!<\/strong>
PERSONAL MESSAGE<\/span><\/strong>
Martine, remember to present your guestbook at the end of your shows: our new visitors thought it was Paul and me’s guestbook, that’s why they thanked us, they did not understand!<\/span><\/strong><\/p>\n\n\n

\"\"<\/a>
Michel merci thank you!<\/strong><\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Bien s\u00fbr, vous pouvez aller sur le site de Martine ou encore vous procurer ses CD, je vous y encourage vivement. Vous aurez la belle voix chaude, les accompagnements, de la belle musique, de la belle chanson. Mais vous n\u2019aurez … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12464","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12464"}],"collection":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12464"}],"version-history":[{"count":7,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12464\/revisions"}],"predecessor-version":[{"id":12502,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12464\/revisions\/12502"}],"wp:attachment":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}