{"id":12135,"date":"2022-09-26T18:56:59","date_gmt":"2022-09-26T18:56:59","guid":{"rendered":"https:\/\/www.pasassezdetemps.com\/?p=12135"},"modified":"2022-09-26T18:56:59","modified_gmt":"2022-09-26T18:56:59","slug":"vagabondages-2","status":"publish","type":"post","link":"https:\/\/www.pasassezdetemps.com\/?p=12135","title":{"rendered":"Vagabondages (2)"},"content":{"rendered":"\n
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En plus des vagabondages d\u00e9j\u00e0 \u00e9voqu\u00e9s, il y a eu une balade vers la cascade de la Roche totalement ass\u00e9ch\u00e9e et les cypr\u00e8s chauves qui en temps normal ont les pieds dans l\u2019eau. Spectacle de d\u00e9solation, que nous n\u2019aurions pas vu de pr\u00e8s si nous avions remarqu\u00e9 la pancarte interdisant l\u2019acc\u00e8s.<\/strong>
In addition to the wanderings already mentioned, there was a walk to the completely dry Roche waterfall and the bald cypresses which normally have their feet in the water. Spectacle of desolation, which we would not have seen up close if we had noticed the sign prohibiting access.<\/span><\/strong><\/p>\n\n\n

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Une fois rentr\u00e9e \u00e0 la maison, je fais une recherche concernant la niv\u00e9ole de printemps<\/a> que l\u2019on peut confondre avec le perce-neige, nous dit Wikip\u00e9dia. Eh bien oui, je reconnais cette fleur que j\u2019ai d\u00e9j\u00e0 vue par ici, en effet, au printemps, et qui ressemble beaucoup au perce-neige.<\/strong>
Once back home, I do research on spring snowflake<\/a>, which can be confused with snowdrops, Wikipedia tells us. Well yes, I recognize this flower that I have already seen around here, indeed, in spring, and which looks a lot like snowdrops.<\/span><\/strong><\/p>\n\n\n

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Perce-neige \u2014 snowdrops<\/strong><\/figcaption><\/figure>\n\n\n

Le lendemain, je propose \u00e0 Paul d\u2019aller \u00e0 Tirieu pour parcourir \u00e0 nouveau ces chemins plaisants. C\u2019est l\u2019occasion de voir le Mont Blanc dispara\u00eetre derri\u00e8re les collines proches, et de saluer les canards sur ce joli petit \u00e9tang. C\u2019est l\u2019occasion aussi de v\u00e9rifier que nous retrouvons assez d\u2019\u00e9nergie et de force pour marcher sur de plus grandes distances. <\/strong>
The next day, I suggest Paul go to Tirieu to walk these pleasant paths again. This is an opportunity to see Mont Blanc disappear behind the nearby hills, and to greet the ducks on this pretty little pond. It is also an opportunity to check that we regain enough energy and strength to walk longer distances.<\/span><\/strong><\/p>\n\n\n

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Ceci nous motive pour une vir\u00e9e \u00e0 Cr\u00e9mieu, moiti\u00e9 voiture, moiti\u00e9 v\u00e9lo. Cr\u00e9mieu, petite cit\u00e9, compte deux belles librairies, deux styles diff\u00e9rents, chacune proposant un choix int\u00e9ressant de livres\u00a0: c\u2019est ainsi que je d\u00e9couvre le roman historique \u00ab\u00a0Et ils dansaient le dimanche\u00a0\u00bb de Paola Pigani. Dans les ann\u00e9es 1930, Szonja quitte sa Hongrie pour venir \u00e0 Lyon o\u00f9 beaucoup d\u2019usines embauchent. Pour elle, il s\u2019agit de travailler dans la viscose.<\/strong>
This motivates us for a trip to Cr\u00e9mieu, half car, half bike. Cr\u00e9mieu, a small city, has two beautiful bookstores, two different styles, each offering an interesting choice of books: this is how I discovered the historical novel \u00ab\u00a0Et ils dansaient le dimanche\u00a0\u00bb, \u00ab\u00a0And they danced on Sunday\u00a0\u00bb by Paola Pigani. In the 1930s, Szonja left Hungary to come to Lyon, where many factories were hiring. For her, it’s about working in viscose.<\/span><\/strong><\/p>\n\n\n

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C\u2019est ce type de roman que tu as du mal \u00e0 poser m\u00eame s\u2019il est tard et que tes yeux se ferment. C\u2019est tr\u00e8s bien \u00e9crit, tr\u00e8s document\u00e9, et l\u2019auteur nous fait p\u00e9n\u00e9trer dans l\u2019intimit\u00e9 de Szonja, partager ses espoirs et ses d\u00e9sillusions. Je trouve int\u00e9ressant de vous parler de ce livre avant de l\u2019avoir fini – priorit\u00e9 au blog\u00a0!<\/strong>
It’s this type of novel that you have difficulty in putting down even if it’s late and your eyes are closing. It is very well written, very well documented, and the author takes us into the intimacy of Szonja, sharing her hopes and her disappointments. I find it interesting to tell you about this book before I finish it – blog priority!<\/span><\/strong><\/p>\n\n\n

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La lecture peut se prolonger par une d\u00e9couverte de l\u2019usine Tase<\/a>, encore gr\u00e2ce \u00e0 Wikip\u00e9dia. L\u2019usine o\u00f9 le travail est dur, sans compter en plus les vapeurs toxiques, mais o\u00f9 les ouvriers sont encore heureux de ne pas mourir de faim, d\u2019avoir un logement (dont le loyer est pr\u00e9lev\u00e9 sur le salaire) et de garder leur dignit\u00e9. Cependant, la situation se d\u00e9grade lentement et la col\u00e8re ouvri\u00e8re monte. L\u2019auteur excelle dans sa description de la lente \u00e9volution au cours de laquelle les ouvriers soumis au patronat et \u00e0 l\u2019\u00e9glise finiront par descendre dans la rue.<\/strong>
The reading can be extended by a discovery of the Tase factory<\/a>, again thanks to Wikipedia. The factory where the work is hard, not to mention the toxic fumes, but where the workers are still happy not to starve, to have housing (the rent of which is deducted from their wages) and to keep their dignity. However, the situation is slowly deteriorating and worker anger is rising. The author excels in her description of the slow evolution during which the workers subjected to the bosses and the church will end up taking to the streets.<\/span><\/strong><\/p>\n\n\n

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Houblon \u2014 Hop<\/strong><\/figcaption><\/figure>\n\n\n

Chaque fois que nous passons en v\u00e9lo sur la voie ferr\u00e9e d\u00e9saffect\u00e9e dans les environs de Cr\u00e9mieu, j\u2019ai une pens\u00e9e pour la maman de Paul qui suivait ce trajet, mais en train\u00a0! La ligne de l\u2019Est Lyonnais se scindait en deux \u00e0 Sablonni\u00e8res, une voie vers Montalieu, une vers Passins. Mais o\u00f9 donc se trouve l\u2019embranchement, le Y de Sablonni\u00e8res\u00a0? Paul se plonge dans un livre<\/em>*\u00a0et ne tarde pas \u00e0 trouver la r\u00e9ponse\u00a0: l\u00e0 o\u00f9 la route dessine un S, elle franchissait les deux voies autrefois, j\u2019y ai \u00e9t\u00e9 arr\u00eat\u00e9e par le passage d\u2019un train \u00e0 la fin des ann\u00e9es 80. La grande esplanade, devenue parking, jusqu\u2019au carrefour en direction de Bourgoin, c\u2019\u00e9tait un entrelacement de voies devant la gare. <\/strong>
Every time we cycle on the disused railway line around Cr\u00e9mieu, I have a thought for Paul’s mother who followed this route, but by train! The East Lyonnais line (La ligne de l\u2019Est Lyonnais) split in two at Sablonni\u00e8res, one track towards Montalieu, one towards Passins. But where is the junction, the Y of Sablonni\u00e8res? Paul digs into a book<\/em>* and doesn’t take long to find the answer: where the road draws an S, it used to cross the two lanes, I was stopped there by a passing train in the late 80s. The large esplanade, which became a car park, up to the crossroads in the direction of Bourgoin, was an interlacing of tracks in front of the station.<\/span><\/strong>
*\u00ab\u00a0le chemin de fer de l\u2019est de Lyon\u00a0\u00bb, de Henri Domengie, Yves Alquati, Marc Moulin et Bernard Rose, \u00e9ditions du Cabri<\/strong><\/p>\n\n\n

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\u00c0 droite, la route dessine le S \u2014} On the right, the road draws the S<\/strong><\/figcaption><\/figure>\n\n\n

J\u2019appr\u00e9cie de p\u00e9daler sur ces chemins plats ou de faible d\u00e9clivit\u00e9, pourtant j\u2019aurais pr\u00e9f\u00e9r\u00e9 que le train continue de circuler par ici. C\u2019est un moyen de transport id\u00e9al, s\u00fbr, moins polluant que d\u2019autres, avec une emprise r\u00e9duite. Parfois il est question de r\u00e9tablir la ligne depuis Lyon jusqu\u2019\u00e0 Cr\u00e9mieu, mais c\u2019est un choix politique que personne ne fait et c\u2019est regrettable.<\/strong>
I enjoy pedaling on these flat or gently sloping paths, yet I would have preferred the train to continue to circulate here. It is an ideal means of transport, safe, less polluting than others, with a reduced footprint. Sometimes it is a question of restoring the line from Lyon to Cr\u00e9mieu, but it is a political choice that nobody makes and it is regrettable.<\/span><\/strong><\/p>\n\n\n

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Maison de garde-barri\u00e8re d\u00e9saffect\u00e9e \u2014Abandoned Gatekeeper’s House<\/strong><\/figcaption><\/figure>\n\n\n

Un autre jour, Genevi\u00e8ve, perdue de vue depuis longtemps, me t\u00e9l\u00e9phone et d\u2019une chose \u00e0 l\u2019autre nous passons un long moment \u00e0 bavarder. Je suis tellement contente de son appel\u00a0! <\/strong>
Another day, Genevi\u00e8ve, long out of touch, calls me and from one thing to another we spend a long time chatting. I’m so happy with her call!<\/span><\/strong><\/p>\n\n\n

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Cypr\u00e8s chauves \u2014 bald cypresses<\/strong><\/figcaption><\/figure>\n\n\n

Elle conna\u00eet bien Sablonni\u00e8res, elle y laisse sa voiture quand elle fait du co-voiturage, elle ignorait qu\u2019elle se trouve l\u00e0 sur l\u2019emplacement des rails. Elle habite assez pr\u00e8s de Montalieu\u00a0: quand elle \u00e9tait enfant, elle voyait de chez elle passer le train. Le trafic des voyageurs a \u00e9t\u00e9 abandonn\u00e9 dans les ann\u00e9es d\u2019apr\u00e8s guerre, celui des marchandises plus tard\u00a0: les cimenteries Vicat \u00e0 Montalieu ont beaucoup utilis\u00e9 ce moyen de transport, aussi bien pour le charbon comme combustible dans un sens que pour le ciment qu\u2019elles fabriquaient dans l\u2019autre.<\/strong>
She knows Sablonni\u00e8res well, she leaves her car there when she carpools, she did not know that she was there on the location of the rails. She lives quite close to Montalieu: when she was a child, she saw the train go by from her house. Passenger traffic was abandoned in the post-war years, that of goods later: the Vicat cement works in Montalieu used this means of transport a lot, both for coal as energy source in one direction and for the cement that they manufactured in the other.<\/span><\/strong><\/p>\n\n\n

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Gare de Sablonni\u00e8res<\/strong><\/figcaption><\/figure>\n\n\n

Nous essayons toutes les deux de mesurer combien un paysage peut changer, et comment les indices du pass\u00e9 disparaissent peu \u00e0 peu. Je trouve passionnant d\u2019en chercher, d\u2019essayer de deviner quelle \u00e9tait la vocation ancienne de tel ou tel b\u00e2timent. <\/strong>
We both try to measure how much a landscape can change, and how the clues of the past are gradually disappearing. I find it fascinating to look for them, to try to guess what the former vocation of such and such a building was.<\/span><\/strong><\/p>\n\n\n

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Le soir arrive, je n\u2019ai plus beaucoup de courage, on d\u00e9cide de regarder un film et notre choix se fait sur \u00ab\u00a0Marguerite\u00a0\u00bb. Ce film est inspir\u00e9 de l\u2019histoire vraie de Florence Foster Jenkins, qui se croyait chanteuse mais n\u2019\u00e9tait capable de chanter ni juste ni en rythme. Aussi incroyable que cela soit, personne ne le lui a r\u00e9v\u00e9l\u00e9 sauf \u00e0 la fin de sa vie. Et c\u2019est peut-\u00eatre ce qui a provoqu\u00e9 la crise cardiaque fatale. \u00ab\u00a0Marguerite\u00a0\u00bb raconte une histoire semblable\u00a0: Marguerite Dumont est fran\u00e7aise, fort riche, et personne de son entourage n\u2019ose lui dire qu\u2019elle ne chante pas, elle braille. Le r\u00f4le est interpr\u00e9t\u00e9 par Catherine Frot que j\u2019ai toujours admir\u00e9e. Je n\u2019appr\u00e9cie pas plus que \u00e7a l\u2019op\u00e9ra, que ce soit chant\u00e9 par les autres, juste, ou affreusement faux par elle\u00a0: j\u2019ai trouv\u00e9 l\u2019histoire un peu longue. Mais le talent de Catherine Frot est immense, elle est Marguerite<\/em>, elle a une \u00e9nergie peu commune, elle joue avec naturel le r\u00f4le de cette femme et de sa passion d\u00e9vorante pour le chant.<\/strong>
The evening arrives, I don’t have much courage, we decide to watch a movie and our choice is made on \u00ab\u00a0Marguerite\u00a0\u00bb. This film is inspired by the true story of Florence Foster Jenkins, who believed herself to be a singer but was unable to sing neither in tune nor in rhythm. As incredible as it is, no one revealed it to her except at the end of her life. And that may have been what caused the fatal heart attack. \u00ab\u00a0Marguerite\u00a0\u00bb tells a similar story: Marguerite Dumont is French, very rich, and no one around her dares tell her that she doesn’t sing, she bawls. The role is played by Catherine Frot, whom I have always admired. I don’t appreciate opera any more than that, whether it’s sung by others, right, or horribly wrong by her: I found the story a bit long. But Catherine Frot’s talent is immense, she is Marguerite<\/em>, she has an unusual energy, she naturally plays the role of this woman and her devouring passion for singing.<\/span><\/strong><\/p>\n\n\n

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Cela me donne envie de regarder le film de Stephen Frears, librement inspir\u00e9 de Florence Foster Jenkins et au titre \u00e9ponyme. Toutes les deux, Marguerite l\u2019invent\u00e9e et Florence personnage r\u00e9el, sont tu\u00e9es par la r\u00e9v\u00e9lation de leur absence de talent, c\u2019est tout au moins tr\u00e8s probable dans le cas de Florence – et tant pis si je d\u00e9voile la fin de l\u2019histoire. Le film \u00ab\u00a0Marguerite\u00a0\u00bb s\u2019articule autour de ce mensonge permanent, chacun le g\u00e9rant \u00e0 sa fa\u00e7on, chacun souhaitant que quelqu\u2019un d\u2019autre se charge de lui faire conna\u00eetre cette tragique v\u00e9rit\u00e9.<\/strong>
It makes me want to watch Stephen Frears’ film, freely inspired by Florence Foster Jenkins and with the eponymous title. Both, Marguerite the invented and Florence real character, are killed by the revelation of their lack of talent, it is at least very probable in the case of Florence – and too bad if I reveal the end of the story . The movie \u00ab\u00a0Marguerite\u00a0\u00bb revolves around this permanent lie, each dealing with it in their own way, each wishing someone else would take charge of telling them this tragic truth.<\/span><\/strong><\/p>\n\n\n

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Notre voix vient de l\u2019int\u00e9rieur de nous, pour cette raison nous ne sommes pas capables de l\u2019entendre vraiment. D\u2019entendre ce que les autres entendent. Si tu chantes au micro, ta voix passe par l\u2019ampli, tu peux l\u2019entendre autrement. Et si ta voix est enregistr\u00e9e, tu peux \u00e9couter exactement ta voix de l\u2019ext\u00e9rieur en diff\u00e9r\u00e9. Si Marguerite avait pu s\u2019\u00e9couter d\u00e8s le d\u00e9but, elle aurait su ce qu\u2019on lui a cach\u00e9\u2026 Mais je trouve stup\u00e9fiant qu\u2019elle ait pu \u00eatre chanteuse toute sa vie, approuv\u00e9e par tous, tout simplement parce qu\u2019elle vivait dans un cocon dor\u00e9. C\u2019est d\u2019ailleurs pour \u00e7a que je pr\u00e9f\u00e8re \u00e9viter les applaudissements, signe machinal de politesse, un moyen pauvre de faire conna\u00eetre une approbation plus ou moins simul\u00e9e.<\/strong>
Our voice comes from within us, for this reason we are not able to really hear it. To hear what others hear. If you sing at the microphone, your voice goes through the amp, you can hear it otherwise. And if your voice is recorded, you can listen to your exact voice from the outside offline. If Marguerite had been able to listen to herself from the start, she would have known what was hidden from her… But I find it amazing that she could have been a singer all her life, approved by everyone, simply because she lived in a golden cocoon. This is also why I prefer to avoid applause, a mechanical sign of politeness, a poor way of conveying a more or less simulated approval.<\/span><\/strong><\/p>\n\n\n

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J\u2019ai trouv\u00e9 des quantit\u00e9s d\u2019exemples dramatiques de mensonges r\u00e9v\u00e9l\u00e9s au mauvais moment (parmi d\u2019autres, tu apprends que ton p\u00e8re n\u2019est pas ton p\u00e8re ou que tu es un enfant adopt\u00e9, ou que ton bien aim\u00e9 fait partie de ces groupes d\u2019assassins qui ont extermin\u00e9 ta famille), ce genre de choses qui demandent pr\u00e9paration et accompagnement. Ces exemples sont innombrables, de personnes qu\u2019on croit prot\u00e9ger en leur cachant la v\u00e9rit\u00e9. Cela me fait penser \u00e0 la formule du mariage anglo-saxon, \u00ab\u00a0Si quelqu\u2019un a quelque raison que ce soit de s\u2019opposer \u00e0 ce mariage, qu\u2019il parle maintenant, ou se taise \u00e0 jamais.\u00a0\u00bb Parler maintenant ou se taire \u00e0 jamais<\/em> me semble une bonne formule. Le film montre que pour Marguerite, la v\u00e9rit\u00e9 est venue trop tard.<\/strong>
I found plenty of dramatic examples of lies being told at the wrong time (among others, you learn that your father is not your father or that you are an adopted child, or that your beloved is one of those groups of assassins who exterminated your family), this kind of thing that requires preparation and accompaniment. These examples are countless, of people who are believed to be protecting by hiding the truth from them. It reminds me of the Anglo-Saxon marriage formula, \u00ab\u00a0If anyone has any reason to oppose this marriage, speak now, or forever hold your peace.\u00a0\u00bb Speak now, or forever hold your peace<\/em> seems to me a good formula. The film shows that for Marguerite, the truth came too late.<\/span><\/strong><\/p>\n\n\n

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PETIT (TOUT PETIT) COURS D\u2019INFORMATIQUE <\/strong>
Certains de mes lecteurs sont \u00e0 l\u2019aise avec leur machine comme des poissons dans l\u2019eau, d\u2019autres pas du tout\u00a0! Survolez donc ces quelques mots, vous aurez vite vu s\u2019ils pr\u00e9sentent pour vous le moindre int\u00e9r\u00eat.<\/strong>
La plupart d\u2019entre vous recevez par \u00ab\u00a0Sendinblue\u00a0\u00bb mon envoi pour vous dire que je viens de publier ma nouvelle chronique (ci-dessous c\u2019est une copie d\u2019\u00e9cran, vous ne pouvez rien activer en cliquant)\u00a0:<\/strong>
SMALL (VERY SMALL) COMPUTER COURSE<\/span><\/strong>
Some of my readers are comfortable with their machine like fish in water, others not at all! Hover over these few words, you will quickly see if they are of any interest to you.<\/span><\/strong>
Most of you receive by \u00ab\u00a0Sendinblue\u00a0\u00bb my mailing to tell you that I have just published my new column (below is a screenshot, you cannot activate anything by clicking):<\/span><\/strong><\/p>\n\n\n

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En cliquant sur l\u2019adresse https:\/\/www.pasassezdetemps.com, vous arrivez directement sur la derni\u00e8re page publi\u00e9e.<\/strong>
By clicking on the address https:\/\/www.passsezdetemps.com, you arrive directly on the last published page.<\/span><\/strong><\/p>\n\n

Dans mes chroniques, j\u2019envoie souvent des liens qui apparaissent en bleu, comme la niv\u00e9ole de printemps ci-dessus, si vous cliquez dessus vous allez l\u00e0 aussi directement sur le site concern\u00e9. Vous ne devez cliquer en aucun cas quand le message que vous avez re\u00e7u est suspect, qui vous parle d\u2019une d\u00e9pense de 800 euros que vous n\u2019avez pas faite ou encore d\u2019un gain d\u2019un million d\u2019euros, dans ces cas-l\u00e0 on d\u00e9truit le message au plus vite\u00a0!<\/strong>
Et si vous prenez peur, le plus simple c\u2019est certainement de quitter l\u2019application et de la rouvrir. <\/strong>
Dernier d\u00e9tail\u00a0: avez-vous remarqu\u00e9 que les photos sont plus grandes si vous cliquez dessus\u00a0? Certaines sont assez belles pour m\u00e9riter ce temps d\u2019arr\u00eat.<\/strong>
In my columns, I often send links that appear in blue, like the spring snowflake above, if you click on them you will also go directly to the site concerned. You must not click under any circumstances when the message you have received is suspicious, telling you of an expense of 800 euros that you have not made or of a gain of one million euros, in these case just destroy the message as soon as possible!<\/span><\/strong>
And if you get scared, the easiest way is to quit the app and reopen it.<\/span><\/strong>
Last detail: have you noticed that the photos are larger if you click on them? Some are good enough to deserve this downtime.<\/span><\/strong><\/p>\n\n\n

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ET J\u2019AI PAS FINI\u00a0!<\/strong>
Le 19 septembre 2012 je publiais ma premi\u00e8re chronique, texte bref avec une seule photo que j\u2019aime toujours autant. <\/strong>
Je vous en aurais parl\u00e9 la semaine derni\u00e8re si j\u2019y avait pens\u00e9\u00a0! Dix ans de publications, j\u2019en compte 255 parmi lesquelles des petites choses sans int\u00e9r\u00eat, toujours est-il que sur dix ans, j\u2019ai appuy\u00e9 sur \u00ab\u00a0publier\u00a0\u00bb en moyenne un tout petit peu moins d\u2019une fois par quinzaine.<\/strong>
Mon lectorat reste tout petit mais fid\u00e8le. Pour moi, il s\u2019agit d\u2019une discipline \u00e0 laquelle j\u2019essaie de me tenir.<\/strong>
AND I’M NOT FINISHED!<\/span><\/strong>
On September 19, 2012 I published my first column, a short text with a single photo that I still love so much.<\/span><\/strong>
I would have told you about it last week if I had thought about it! Ten years of publications, I count 255 among which little things without interest, still it is that over ten years, I pressed \u00ab\u00a0publish\u00a0\u00bb on average a little less than once a fortnight.<\/span><\/strong>
My readership remains very small but loyal. For me, it is a discipline that I try to stick to.<\/span><\/strong><\/p>\n\n\n

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Je vous disais\u00a0:<\/strong><\/span>
Je veux que ce blog soit un lien\u00a0: le Charbinat est un arbre dont toutes les branches sont reli\u00e9es\u2026<\/strong><\/em><\/span>
Le blog s\u2019appelle \u00ab\u00a0Pas assez de temps\u00a0\u00bb, son nom complet est\u00a0: \u00ab\u00a0Pas assez de temps pour vous aimer\u00a0\u00bb. J\u2019esp\u00e8re que ce sera une belle histoire d\u2019amiti\u00e9.<\/strong><\/em><\/span>
I was telling you:<\/strong><\/span>
I want this blog to be a link: le Charbinat is a tree, whose branches are all interconnected\u2026<\/strong><\/em><\/span>
The blog is called \u00ab\u00a0Not enough time\u00a0\u00bb, or \u00ab\u00a0Not enough time to love you\u00a0\u00bb in full. I hope that it will become a great story of friendships.<\/strong><\/em><\/span><\/p>\n

Je remercie vivement les lecteurs qui m\u2019accompagnent sur ce chemin<\/strong><\/span>
I warmly thank the readers who accompany me on this path.<\/strong><\/span><\/p>\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

En plus des vagabondages d\u00e9j\u00e0 \u00e9voqu\u00e9s, il y a eu une balade vers la cascade de la Roche totalement ass\u00e9ch\u00e9e et les cypr\u00e8s chauves qui en temps normal ont les pieds dans l\u2019eau. Spectacle de d\u00e9solation, que nous n\u2019aurions pas … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12135","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12135"}],"collection":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12135"}],"version-history":[{"count":7,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12135\/revisions"}],"predecessor-version":[{"id":12835,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/12135\/revisions\/12835"}],"wp:attachment":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}