{"id":11913,"date":"2022-08-08T19:15:50","date_gmt":"2022-08-08T19:15:50","guid":{"rendered":"https:\/\/www.pasassezdetemps.com\/?p=11913"},"modified":"2022-08-08T19:15:50","modified_gmt":"2022-08-08T19:15:50","slug":"rome-en-graphiques-atrocites-variees-various-atrocities","status":"publish","type":"post","link":"https:\/\/www.pasassezdetemps.com\/?p=11913","title":{"rendered":"Rome en graphiques, atrocit\u00e9s vari\u00e9es – various atrocities"},"content":{"rendered":"\n
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Comme tout le monde j\u2019imagine, je trouve que la chaleur et la s\u00e9cheresse ont assez dur\u00e9. Finalement, rien ne vaut un bon bouquin pour s\u2019\u00e9vader. Attention, \u00e7a ne va pas toujours \u00eatre dr\u00f4le.<\/strong>
Like everyone I imagine, I think the heat and drought have lasted long enough. Finally, nothing beats a good book to escape. Careful, it’s not always going to be funny.<\/span><\/strong><\/p>\n\n\n

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Je commence par un roman graphique tr\u00e8s beau mais trop douloureux pour que je puisse l\u2019ouvrir \u00e0 nouveau\u00a0: Grand Silence,<\/em><\/span> de Th\u00e9a Rojzman,<\/em><\/span> dessins de Sandrine Revel.<\/em><\/span> Il s\u2019agit de p\u00e9dophilie dans un monde diff\u00e9rent du n\u00f4tre, et o\u00f9 le silence est de rigueur. Quand un enfant est viol\u00e9, sa t\u00eate se d\u00e9tache de ses \u00e9paules et se pose \u00e0 c\u00f4t\u00e9. Une id\u00e9e parmi d\u2019autres, tout aussi excellentes, pour faire passer le message. Car le message de Th\u00e9a Rojzman est clair, il faut que finisse le silence, aussi bien dans ce monde fictif que dans notre monde \u00e0 nous bien entendu.<\/strong>
I start with a graphic novel that is very beautiful but too painful for me to open again: Grand Silence<\/span><\/em>, by Th\u00e9a Rojzman,<\/span><\/em> drawings by Sandrine Revel.<\/span><\/em> It is about pedophilia in a world different from ours, and where silence is obligatory. When a child is raped, his head comes off his shoulders and lays next to him. One idea among others, equally excellent, to get the message across. Because Th\u00e9a Rojzman’s message is clear, the silence must end, both in this fictional world and in our own world of course.<\/span><\/strong><\/p>\n\n\n

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\u00ab\u00a0J\u2019aurais pu parler de moi\u00a0\u00bb<\/strong><\/em> dit-elle en post-face. <\/strong>\u00ab\u00a0(\u2026) Nous sommes tellement nombreux (\u2026). J\u2019aurais pu aussi raconter l\u2019histoire d\u2019un de mes agresseurs, qui s\u2019est suicid\u00e9 plus tard. Je pense aujourd\u2019hui qu\u2019il avait \u00e9t\u00e9 lui aussi victime (\u2026).\u00a0\u00bb<\/strong><\/em>
\u00ab\u00a0I could have talked about me,\u00a0\u00bb<\/span><\/strong><\/em> she says in an afterword. <\/span><\/strong>\u00ab\u00a0(\u2026) We are so many (\u2026). I could also have told the story of one of my attackers, who later committed suicide. I think today that he had also been a victim (\u2026). \u00bb<\/span><\/strong><\/em><\/p>\n\n\n

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Alors elle a cherch\u00e9 de quelle fa\u00e7on faire \u00e9clater le silence qui p\u00e8se le plus souvent sur les sc\u00e8nes de violence. Elle veut que ce probl\u00e8me devienne une priorit\u00e9. Il \u00ab\u00a0est collectif (\u2026) Ce probl\u00e8me impacte toute notre soci\u00e9t\u00e9.\u00a0\u00bb<\/em> D\u2019une part car les victimes sont tr\u00e8s nombreuses, d\u2019autres part car elles deviennent fr\u00e9quemment bourreaux elles aussi. Ce livre fait partie des ouvrages tr\u00e8s beaux qu\u2019on ne peut poser avant de l\u2019avoir lu tout entier, avec, je me r\u00e9p\u00e8te, beaucoup beaucoup d\u2019id\u00e9es originales.<\/strong>
So she looked for a way to break the silence that most often weighs on scenes of violence. She wants this problem to become a priority. It \u00ab\u00a0is collective (\u2026) This problem impacts our whole society.\u00a0\u00bb<\/em> On the one hand because the victims are very numerous, on the other hand because they too frequently become executioners. This book is one of the very beautiful works that you cannot put down until you have read it all, with, I repeat, many many original ideas.<\/span><\/strong><\/p>\n\n\n

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glycine et bignone – wisteria and Campsis radicans
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Pour conclure sur le sujet, je connais plusieurs personnes qui ont \u00e9t\u00e9 victimes de viol, ou dont un(e) proche a \u00e9t\u00e9 victime\u00a0: cela confirme qu\u2019\u00e0 d\u00e9faut d\u2019\u00eatre banal, ce qu\u2019il ne sera jamais\u00a0!, ce crime reste fr\u00e9quent. Et pas assez d\u00e9nonc\u00e9. C\u2019est terrible \u00e0 dire, mais chacun d\u2019entre vous conna\u00eet forc\u00e9ment une ou plusieurs victimes, et vous le savez, ou bien vous l\u2019ignorez.<\/strong>
To conclude on the subject, I know several people who have been victims of rape, or whose loved one has been the victim: this confirms that, if not banal, which it will never be!, this crime remains frequent. And not denounced enough. It’s terrible to say, but each of you necessarily knows one or more victims, and you know it, or you don’t know it.<\/span><\/strong><\/p>\n\n\n

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Encore un tr\u00e8s beau roman graphique, il faut bien justifier mon titre idiot. Le droit du sol – journal d\u2019un vertige<\/span><\/em>, d\u2019\u00c9tienne Davodeau.<\/span><\/em> L\u2019auteur a pris la route sac au dos, pour parcourir \u00e0 pied les huit cents kilom\u00e8tres entre la grotte de Pech Merle et Bure, dans la Meuse. Il relie ainsi \u00ab\u00a0deux traces, laiss\u00e9es par des sapiens \u00e0 d\u2019autres sapiens.\u00a0\u00bb \u00ab\u00a0Sous le sol de Pech Merle, il y a des milliers d\u2019ann\u00e9es, des sapiens ont laiss\u00e9 \u00e0 leurs descendants des souvenirs admirables. Sous le sol de Bure, en ce moment, d\u2019autres sapiens \u2013 et d\u2019une certaine mani\u00e8re les m\u00eames sapiens \u2013 envisagent d\u2019enterrer des d\u00e9chets nucl\u00e9aires dont certains resteront dangereux pendant des milliers d\u2019ann\u00e9es.\u00a0\u00bb<\/em><\/strong>
Another very beautiful graphic novel, it is necessary well to justify my idiotic title. Le droit du sol – journal d\u2019un vertige,<\/span><\/em> by \u00c9tienne Davodeau<\/span><\/em>. The author took the road backpack, to walk the eight hundred kilometers between the cave of Pech Merle and Bure, in the Meuse. He thus connects \u00ab two traces, left by sapiens to other sapiens. \u00bb \u00ab Under the soil of Pech Merle, thousands of years ago, sapiens left their descendants with wonderful memories. Beneath the soil of Bure, at the moment, other sapiens \u2013 and in a way the same sapiens \u2013 are planning to bury nuclear waste, some of which will remain dangerous for thousands of years. \u00bb<\/em><\/span><\/strong><\/p>\n\n\n

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Millepertuis et alth\u00e9a \u2014 St. John’s wort and althea<\/strong><\/figcaption><\/figure>\n\n\n

\u00ab\u00a0Ce r\u00e9cit, au fond, c\u2019est une tentative d\u2019\u00e9voquer notre absolue d\u00e9pendance \u00e0 cette plan\u00e8te et \u00e0 son sol.\u00a0\u00bb<\/em> Habitu\u00e9 \u00e0 marcher, Davodeau vit une exp\u00e9rience particuli\u00e8re car cette randonn\u00e9 est due au projet de livre. Le livre s\u2019\u00e9crit pendant que les kilom\u00e8tres d\u00e9filent, \u00e0 coup de rencontres r\u00e9elles ou d\u00e9cal\u00e9es dans le temps comme il l\u2019explique. Une de ces personnes lui dit que le responsable des changements climatiques n\u2019est pas n\u00e9cessairement l\u2019homme, c\u2019est le capitalisme.<\/strong>
\u00ab\u00a0This story, at its core, is an attempt to evoke our absolute dependence on this planet and its soil.\u00a0\u00bb<\/em> Accustomed to walking, Davodeau lives a particular experience because this hike is due to the book project. The book is written as the miles go by, with real or time-shifted encounters as he explains. One of these people tells him that the cause of climate change is not necessarily man, it is capitalism.<\/span><\/strong><\/p>\n\n\n

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rose tr\u00e9mi\u00e8re \u2014 Hollyhock<\/strong><\/figcaption><\/figure>\n\n\n

M\u00eame si tout le bouquin pr\u00e9sente un fort grand int\u00e9r\u00eat, le \u00ab\u00a0gros morceau\u00a0\u00bb, bien s\u00fbr c\u2019est le site d\u2019enfouissement de Bure, \u00e9tudi\u00e9 m\u00eame sous l\u2019angle de la psychanalyse\u00a0: \u00ab\u00a0L\u2019enfouissement est-ce que \u00e7a n\u2019est pas assimilable \u00e0 du refoulement\u00a0? Et depuis Sigmund, on le sait avec certitude, le refoul\u00e9 remonte toujours.\u00a0\u00bb<\/em><\/strong>
Even if the whole book is of great interest, the \u00ab\u00a0big piece\u00a0\u00bb, of course, is Bure’s burial site, interpreted even from the angle of psychoanalysis: \u00ab\u00a0Burying isn\u2019t it assimilable to repression? And since Sigmund, we know with certainty, the repressed always comes back. \u00bb<\/em><\/span><\/strong><\/p>\n\n\n

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arbre aux faisans \u2014 Leycester formosa<\/strong><\/figcaption><\/figure>\n\n\n\n
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Bernard Laponche, ing\u00e9nieur au commissariat \u00e0 l\u2019\u00e9nergie atomique, est devenu un des opposants les plus d\u00e9termin\u00e9s \u00e0 l\u2019\u00e9nergie nucl\u00e9aire. Il \u00e9voque les d\u00e9chets de \u00ab\u00a0faible activit\u00e9\u00a0\u00bb \u00ab\u00a0d\u00e9j\u00e0 stock\u00e9s de fa\u00e7on d\u00e9finitive dans des sites particuliers (\u2026). Ils devront \u00eatre surveill\u00e9s et contr\u00f4l\u00e9s au moins trois cents ans (\u2026).\u00a0\u00bb<\/em> Or, dans le site d\u2019enfouissement, \u00ab\u00a0une puissante ventilation ne devra jamais s\u2019arr\u00eater pendant au moins cent cinquante ans.\u00a0\u00bb<\/em> Quelques pages plus loin intervient Val\u00e9rie Bruneti\u00e8re, s\u00e9miologue, qui tente de r\u00e9pondre \u00e0 la question \u00ab\u00a0Comment signaler aux sapiens qui vivront sur notre territoire dans les prochains si\u00e8cles que nous leur avons laiss\u00e9 ce cadeau mal\u00e9fique sous l\u2019actuel Bois le Juc\u00a0?\u00a0\u00bb \u00ab\u00a0C\u2019est tr\u00e8s compliqu\u00e9\u00a0!\u00a0\u00bb<\/em> dit-elle. \u00ab\u00a0Une langue se transforme tellement en quelques centaines d\u2019ann\u00e9es que deux personnes, imaginons, qui pourraient communiquer \u00e0 500 ans d\u2019intervalle auraient de sacr\u00e9s risques de ne pas du tout se comprendre\u00a0!\u00a0\u00bb<\/em><\/strong>
Bernard Laponche, an engineer at the Atomic Energy Commission, has become one of the most determined opponents of nuclear energy. He mentions the \u00ab\u00a0low level\u00a0\u00bb waste \u00ab\u00a0already permanently stored in specific sites (\u2026). They will have to be monitored and controlled for at least three hundred years (\u2026).\u00a0\u00bb<\/em> Now, in the burial site, \u00ab\u00a0powerful ventilation must never stop for at least one hundred and fifty years.\u00a0\u00bb<\/em> A few pages later intervenes Val\u00e9rie Bruneti\u00e8re, semiologist, who tries to answer the question \u00ab\u00a0How to signal to the sapiens who will live on our territory in the coming centuries that we have left them this evil gift under the current Bois le Juc?\u00a0\u00bb \u00ab\u00a0It’s very complicated !\u00a0\u00bb<\/em> she says. \u00ab\u00a0A language changes so much in a few hundred years that two people, let’s imagine, who could communicate 500 years apart would have a hell of a chance of not understanding each other at all! \u00bb<\/em><\/span><\/strong><\/p>\n\n\n

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Nos lointains descendants auront besoin d\u2019information, le livre aborde le probl\u00e8me de sa conservation\u00a0: le num\u00e9rique, trop compliqu\u00e9, trop fragile\u2026 Alors le papier\u00a0? Eh bien ce serait l\u2019id\u00e9al, mais le papier ne dure pas \u00e9ternellement.<\/strong>
Our distant descendants will need information, the book addresses the problem of its conservation: digital, too complicated, too fragile… So paper? Well that would be ideal, but paper doesn’t last forever.<\/span><\/strong><\/p>\n\n\n

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Les deux cents pages (et plus) de cet album sont bourr\u00e9es d\u2019informations v\u00e9rifi\u00e9es \u00e0 chaque fois et dont la source est indiqu\u00e9e. Je n\u2019ai pas tout relu, je crois bien que quelque part, Davodeau assume le fait de ne pas avoir donn\u00e9 la parole aux pro-nucl\u00e9aires\u00a0: ces gens-l\u00e0 ont acc\u00e8s aux m\u00e9dias bien plus que n\u00e9cessaire pour d\u00e9biter leurs salades, je suis contente de ne pas les avoir trop crois\u00e9s dans ces pages d\u00e9j\u00e0 pas rassurantes pour notre avenir.<\/strong>
The two hundred pages (and more) of this album are stuffed with information that is verified each time and whose source is indicated. I haven’t reread everything, I believe that somewhere, Davodeau assumes the fact of not having given the floor to the pro-nuclear: these people have access to the media much more than necessary to spin the tales, I am happy not to have come across them too much in these already not reassuring pages for our future.<\/span><\/strong><\/p>\n\n\n

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Je suis tomb\u00e9e sur Mythes et meufs<\/span><\/em> de Blanche Sabbah<\/span><\/em>, et cinq minutes apr\u00e8s, dans la m\u00eame librairie, sur Et \u00e0 la fin ils meurent – la salle v\u00e9rit\u00e9 sur les contes de f\u00e9es<\/span><\/em> de Lou Lubie<\/span><\/em>. Un r\u00e9gal, l\u2019un comme l\u2019autre. <\/strong>
I came across Mythes et meufs (myths and girls)<\/span><\/em> by Blanche Sabbah<\/span><\/em>, and five minutes later, in the same bookstore, I came across Et \u00e0 la fin ils meurent – la salle v\u00e9rit\u00e9 sur les contes de f\u00e9es (And at the End They Die – the truth room about fairy tales)<\/span><\/em> by Lou Lubie<\/span><\/em>. A treat, one like the other.<\/span><\/strong><\/p>\n\n\n

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Today, if we were to make a modern portrait of Daphne, it would surely look like this.<\/em><\/strong><\/figcaption><\/figure>\n\n\n

En 21 \u00e9pisodes, Blanche Sabbah analyse et revisite nos h\u00e9ro\u00efnes pass\u00e9es et pr\u00e9sentes \u00e0 la lumi\u00e8re des nouvelles pens\u00e9es f\u00e9ministes,<\/em> nous dit la quatri\u00e8me de couv\u2019, et c\u2019est une excellente pr\u00e9sentation. L\u2019auteure \u00e9voque les \u00ab femmes emmen\u00e9es et \u00e9pous\u00e9es sans leur consentement. \u00bb<\/em>
Et ce n\u2019est pas ce qui manque !<\/strong>
Les mythes sont surtout ce qu\u2019on d\u00e9cide d\u2019en faire<\/em>, dit-elle. Elle note que les femmes modifient leur aspect, leur langage, leur allure, etc, ou encore changent de chemin pour se prot\u00e9ger, car \u00e0 toutes les \u00e9poques le fait d\u2019\u00eatre une femme g\u00e9n\u00e8re un danger\u00a0: c\u2019est la m\u00eame chose dans le conte et dans la vraie vie. Les contes t\u2019avertissent des dangers qui rodent.<\/strong>
\u00ab\u00a0Tous les contes, finalement, sont des rites de passage qui guident les enfants hors des sentiers tortueux de l\u2019adolescence et vers leur \u00e9panouissement.\u00a0\u00bb<\/em> Blanche Sabbah appr\u00e9cie que les contes de Disney deviennent moins manich\u00e9ens. Elle souhaite en finir avec les rouages d\u2019un mod\u00e8le amoureux obsol\u00e8te.<\/strong>
In 21 episodes, Blanche Sabbah analyzes and revisits our past and present heroines in the light of new feminist thoughts,<\/em> the back cover tells us, and it’s an excellent presentation. The author refers to \u00ab\u00a0women taken and married without their consent.\u00a0\u00bb<\/em> And that’s not what’s missing!<\/span><\/strong>
Myths are mostly what you decide to make of them<\/em>, she says. She notes that women change their appearance, their language, their pace, etc., or even change their path to protect themselves, because in all eras being a woman generates danger: it is the same thing in the world storytelling and in real life. Tales warn you of lurking dangers.<\/span><\/strong>
\u00ab\u00a0All stories, ultimately, are rites of passage that guide children out of the twisting paths of adolescence and into fulfillment.\u00a0\u00bb<\/em> Blanche Sabbah appreciates that Disney’s tales are becoming less Manichean. She wishes to put an end to the cogs of an obsolete love model.<\/span><\/strong><\/p>\n\n\n

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Lou Lubie, de son c\u00f4t\u00e9, rappelle que ces histoires ont \u00e9t\u00e9 affadies, \u00e9dulcor\u00e9es, rendues mi\u00e8vres pour les faire ingurgiter aux enfants. <\/strong>
Saviez-vous que la douce Cendrillon a assassin\u00e9 sa belle-m\u00e8re\u00a0? Pas la m\u00e9chante qui a deux filles, mais la pr\u00e9c\u00e9dente, la gentille, celle qui n\u2019appara\u00eet plus dans les contes de Charles Perrault ou des fr\u00e8res Grimm\u00a0? Ce crime permet ensuite \u00e0 la m\u00e9chante d\u2019exercer un chantage sur Cendrillon, en la mena\u00e7ant de r\u00e9v\u00e9ler le meurtre. Basile (Giambattista Basile de Naples, 1566-1632) a repris un conte parti de Chine vers 850. De Chine\u00a0? O\u00f9 la mode consistait \u00e0 bander les pieds des filles pour qu\u2019elles aient de \u00ab\u00a0beaux\u00a0\u00bb pieds\u00a0? Taille id\u00e9ale\u00a0: 7.5 cm. L\u2019enjeu du conte ne tient-il pas \u00e0 une chaussure\u00a0? Dans le conte des fr\u00e8res Grimm, chacune des deux s\u0153urs se coupe un morceau de pied pour pouvoir passer la chaussure\u2026<\/strong>
Lou Lubie, for her part, recalls that these stories have been made dull, watered down, made cutesy to make children swallow them.<\/span><\/strong>
Did you know that sweet Cinderella murdered her stepmother? Not the villain who has two daughters, but the previous one, the nice one, the one who no longer appears in the tales of Charles Perrault or the Brothers Grimm? This crime then allows the villain to blackmail Cinderella, threatening to reveal the murder. Basil (Giambattista Basile of Naples, 1566-1632) took up a tale that left China around 850. From China? Where was the fashion for bandaging girls’ feet so they had \u00ab\u00a0beautiful\u00a0\u00bb feet? Ideal height: 7.5 cm. Isn’t the stake of the tale a shoe? In the Brothers Grimm’s tale, each of the two sisters cut off a piece of their foot in order to be able to pass the shoe…<\/span><\/strong><\/p>\n\n\n

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Oui, c’est violent, je n’allais quand m\u00eame pas montrer une sc\u00e8ne de sxe\u00a0?
Yes, it’s violent, I was still not going to show a sex scene?<\/strong><\/figcaption><\/figure>\n\n\n

J\u2019esp\u00e8re vous en avoir assez dit, m\u00eame si je pourrais continuer pendant des pages et des pages. Ces deux livres sur les contes sont tr\u00e8s diff\u00e9rents, chacun bien document\u00e9 – on peut parler d\u2019un travail d\u2019universitaire. Ils me donnent envie de lire les diff\u00e9rentes versions d\u2019une m\u00eame histoire, et de chercher par exemple l\u2019histoire de Yeh-Hsien, \u00ab\u00a0l\u2019anc\u00eatre\u00a0\u00bb de Cendrillon, on trouve tout sur internet\u2026<\/strong>
I hope I have told you enough, although I could go on for pages and pages. These two books on the tales are very different, each well documented – one can speak of an academic work. They make me want to read the different versions of the same story, and to search for example the story of Yeh-Hsien, the \u00ab\u00a0ancestor\u00a0\u00bb of Cinderella, you can find everything on the internet…<\/span><\/strong><\/p>\n\n\n

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poivrier du Sichuan – arbre de Jud\u00e9e \u2014 Sichuan pepper tree – Judas tree<\/strong><\/figcaption><\/figure>\n\n\n

J\u2019ai fait quelques pas dans le parc, dimanche, malgr\u00e9 la chaleur \u00e9crasante, pour faire en quelque sorte un \u00e9tat des lieux et en illustrer ces pages. <\/strong>
I took a few steps in the park on Sunday, despite the crushing heat, to sort of take stock of the situation and illustrate these pages.<\/span><\/strong><\/p>\n\n\n

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viorne \u2014 viburnum<\/strong><\/figcaption><\/figure>\n\n\n\n
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oeillet d’Inde \u2014 marigold<\/strong><\/figcaption><\/figure>\n\n\n

Je vous retrouve dans deux semaines, ce sera plus simple pour moi\u00a0: y\u2019aura interro sur les quatre livres que je vous ai pr\u00e9sent\u00e9s\u2026 Je l\u2019ai dit au d\u00e9but, ce n\u2019est pas toujours dr\u00f4le, mais pour moi chacun est incontournable\u00a0!<\/strong>
I’ll see you in two weeks, it will be easier for me: there will be questions about the four books I presented to you… I said it at the beginning, it’s not always funny, but for me each one is essential !<\/span><\/strong><\/p>\n\n\n

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Comme tout le monde j\u2019imagine, je trouve que la chaleur et la s\u00e9cheresse ont assez dur\u00e9. Finalement, rien ne vaut un bon bouquin pour s\u2019\u00e9vader. Attention, \u00e7a ne va pas toujours \u00eatre dr\u00f4le.Like everyone I imagine, I think the heat … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11913","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/11913"}],"collection":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11913"}],"version-history":[{"count":6,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/11913\/revisions"}],"predecessor-version":[{"id":11955,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=\/wp\/v2\/posts\/11913\/revisions\/11955"}],"wp:attachment":[{"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pasassezdetemps.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}